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Tonehammer Rust Vol.2 MULTiFORMAT DVDR 英文正式版 (音效素材)
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Tonehammer Rust Vol 2 MULTiFORMAT DVDR 英文正式版 (音效素材)
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【內容說明】★◇以下中文譯文說明僅供參考，請依實際軟體內容為準◇★
ToneHammer Forgotten Voices Barbary如此強大和溫暖的聲音..可應用於大規模合唱團的音
樂創作中，電視，影視，廣告等多媒體片頭音樂中。...豐富您的音樂創作空間。ToneHammer
Forgotten Voices Barbary驚人的！難以置信！
Rust is what happens when we walk away. Rust is abandonment. It is the ultimate fate
of our overly-mechanized world. Rust is to iron as the seed is to the tree. It is what
becomes of us all. In our previous episode, we took you into the world of metal-as-music,
covering all sorts of little objects and impacts and a few bigger things along the way.
Maybe this time, we went a little deeper underground and just a little out of bounds.
Maybe we bent a few laws while bending a little iron, or maybe it’s all good clean fun.
maybe we took really nice gear to places where nice gear should be taken. Maybe we went
a few places that people don’t go anymore and then we made a hell of a lot of noise.
We used drumsticks and hammers, hands and feet. We bled a little and sweated a lot,
maybe adding a little of our own rust to the mix. but in the end, we put everything
back where we found it. Back where nobody will probably ever bother to look again…
And then, of course, we also went back home and really smashed the hell out of lots
of cool junk in our recording booth and other more hospitable spaces. As always we
hope you enjoy.
Rust Vol. II covers +3.100 samples of "prepared metal/rust" instruments and is one
of the largest- and most comprehensive sample collections ever done of metal objects .
Rust II covers over 81 different type of "instruments" from giant aluminum poles to
metal bathtubs, from slamming blast doors used as percussion instruments to massive
Hercules (nuclear missile holders) metal racks, from creaking cell doors to metal
objects without names, from massive metal stairs to slamming large tower rails.
The library also includes a sick sample collection recorded at a sculpture park.
The collection holds no less then 17 different metal sculptures each with their
own tonal characteristics.
All instruments were tortured in traditional Tonehammer ways, which includes using
fists, hands, hammers, mallets and a variety of other instruments of pain.
In addition the library follows normal Tonehammer standards in terms of velocity
layering and round robin.
